Hello from the soggy O.C., where it is pouring! But fear not, I was able to make a very nice portrait while staying dry and comfortable inside my house. Today I’d like to show you a segment about portrait photography and lighting.

Manipulating the available light is something that every photographer from beginning to advanced needs to have in their bag of tricks.

In the first image above is a portrait of my daughter, Tara.

I placed her in next to a bank of three windows in our living room that faces north. Very soft even lighting exists here, since the light is not directly striking my subject and due to the sheer curtains, the light is very diffused and soft.

Unfortunately, there is too much shadow on her left side of her face or camera right. A quick a simple way to fix this is with a reflector. Now you can run down to your nearest camera store where they will be happy to sell you a fancy-schmansy reflector for a bunch of money. But wait!

I have a quick and inexpensive solution that is almost always available.

Anything white will do. I grabbed an old poster out of the garage and placed it on top of the piano bench that my daughter is resting her arms on. Look carefully at the reflection in her eyes and you will see it in the lower half of her iris.

Since we didn’t have another assistant available and my labs aren’t very good at standing still, I just had my daughter use her left arm to bend the poster board up towards her face which nicely redirected some of the light from the window back into her face.Loo

See the huge difference it makes? You need to practice how close you need to bring your reflector in to work effectively, but in no time at all you should get the hang of this. Almost anything will work. Try a piece of paper, a napkin anything that will reflect the light from one direction back into your subject will work.

Practice makes perfect and is a lot less expensive than a store-bought reflector. Enjoy!

Today I want to look at a few images from a trip to Paris. Let us study some digital photography tips about travel photography.

When you go to a different place, your senses are heightened and you are aware of the smallest details. Details you might normally overlook.

One of my list of things to do in my life, was to visit the Louvre Museum in Paris, France. Thanks to my good friend, Travel Editor at the Orange County Register, Gary Warner, my first trip was a quick 18 hour side trip to the city of lights before meeting up for our assignment in London, England. What a great guy!

One of my strongest rules about vacation photography is too shoot now!

Things happen and you might never see or have a chance to photograph something again. So see it and shoot it!

Just because you are visiting the Eiffel Tower, you still need to apply strong photo rules to make a great image.

Please remember the three rules of a great photograph:
1) Composition
2) Lighting
3) The Moment

Remember these and when you are in the fantastic and exotic location, you can make incredible and memorable images to last a lifetime.

Our first image was a very French-looking man who stopped to gaze out one of the windows in the Louvre. Let’s reverse engineer to see how I did:

1. Composition – I placed the gentleman and his beret in the lower right area of convergence, where the lower horizontal and the right vertical meet and the tower of the building in the upper left area of convergence.

2. Lighting – Strong light from outside created a silhouette of anything inside the window. A strong and high contrast image results from this type of lighting.

3. The Moment – The moment captures the essence of the scene or event that you are photographing. For me, the solemness of this museum made me want to capture a reverence that I felt. In the midst of the masterpieces, this man took a break to gather his thoughts before returning to the most incredible museum in the world.

Next, one of my favorite pieces in the Louve.

Cupid and Psyche by Canova.

The story/myth about Cupid and Psyche in a nutshell is about love, jealousy, redemption and loyalty.

Let’s do one more:
1) Composition – The lovers are placed into the lower left area of convergence and the shaft of light helps to lead the eyes of the viewer to the statue. Also, the wings of Cupid and Psyche’s arms make an X on their faces.

2) Lighting – Beautiful sidelight coming from a large window on camera right and the shaft of light add drama and contrast.

3) The Moment – Even though our couple is frozen in their pose, what a romantic pose it is. The summary of their story is shown by Canova and his masterpiece.

When I went to Paris hoping to capture a different view of the Eiffel Tower. My first idea was to shoot the tower from a window. Too expensive for a hotel and I couldn’t find the right angle, maybe next time! My next wish was to try a view from the surrounding neighborhood.

I wandered around and found a street scene complete with cars, trees and an apartment building. I placed the tower in the left vertical third, to add to the imposing height of the tower.

Finally, a nice surprise!

I was on a tour boat on the Seine river and saw the Statue of Liberty! This second Statue of Liberty is near the Grenelle Bridge on the Île des Cygnes, an island in the river Seine.

I composed it so the statue was in the right vertical and the Eiffel Tower could be seen in the left vertical. Lady Liberty’s face is near the upper right area of convergence and the tower is in the lower left area of convergence.

Thank You, France!

Lastly, I just wanted to thank Phototrend.fr for linking my new blog!

Bonjour!

One of the main digital photography tips that elude most photographers is the direction of light.

Where is the light coming from and how will it affect my subject?

This is a question that most photographers never even consider. Light always has a direction. Sometimes you have to study the image very closely, but there will always be a direction to the light.

Consider the photo above.

I took this a few years back for a story on this young lady who ran a youth program in the inner city. There were great bold colors in her office space and it was near the Day of the Dead celebration.

Look closely and identify where the light is coming from.  Do you see it?

The light is coming from the right side of the photo (actually from a large window just out of view). It is lighting the left side of our subject’s face (we call this camera right).

I have placed her head in the upper right convergence areas of the right vertical line and the upper horizontal line and the head of the skeleton is in the upper left area of convergence. The viewer’s eyes are lead to the two heads.

The quality of the light is soft and diffused. This type of lighting is called open shade or ambient. Light that isn’t directly hitting the subject can be referred to this way. Ambient lighting is very complimentary for photographing people, but remember it has a direction to it.

So, we have ambient light that is lighting our subject from the side. We have a subject that is resting in one of our main areas of convergence and we have a nice moment for our subject.

Practice identifying the direction of light as much as possible.

It will help you as you progress as a photographer, so your photographs will begin to be crafted with a purpose, not just random snapshots.

I will be posting more digital photography tips about seeing light soon. Enjoy!